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Perhaps no criminal has ever been featured in more pop culture than Al Capone. From 1932’s “Scarface
9) Monster
Arguments will rage forever as to whether the Florida prostitute - turned serial killer Aileen Wuornos was a victimized vigilante or a pure psychopath, but few can deny the power of Charlize Theron’s Oscar-winning portrayal in this 2003 film. Yes, Theron gained 30 pounds and wore hideous false teeth to obscure her natural beauty, but to reduce her transformation to mere physicality is unfair. Theron manages to make Wuornos simultaneously sympathetic and terrifying, you find yourself hoping she’ll get her life together even though the film’s tragic end is a foregone conclusion.
8) Reversal of Fortune
Our tabloid culture’s perverse fascination with crime takes on an air of schadenfreude when it occurs in high society. “Reversal of Fortune” tells the true story of wealthy socialite Claus Von Bülow’s attempt to overturn a conviction of attempted murder of his wife, Sunny by insulin overdose. Glenn Close plays Sunny, both in flashbacks and in a voiceover narration from her vegetative comatose state. Jeffrey Irons is at his icy best as the vindicated (but perhaps yet guilty?) Claus in a role that won him a Best Actor Oscar.
7) The French Connection
Gene Hackman plays “Popeye” Doyle, a New York City police detective obsessed with capturing a French heroin smuggler in this thriller, based on an actual Turkey-France-United States drug trafficking scheme that exploded in the 1960s. William Friedkin directed this nail-biter, one of those great, gritty Seventies flicks that’s painted in a dozen shades of gray. The film won Oscars for Best Picture, Actor, Screenplay and Editing and contains what many still consider the greatest car chase scene in film history (as well as an achingly ambiguous ending that would never fly today).
6) Heavenly Creatures
Years before he brought to life orcs and giant apes, director Peter Jackson tackled another kind of monster in the real life story of two 1950s New Zealand girls who murder the mother who forbids them to see each other when their close friendship becomes too obsessive. In her first film role, Kate Winslet plays the daughter who takes a brick to her mother’s head… 45 times. Jackson, following up his gorefest horror film, “Braindead
5) Dog Day Afternoon
Sidney Lumet directs Al Pacino in arguably his best role as Sonny Wortzik, a man who attempts to rob a bank to pay for his lover’s sex change operation, only to have everything go wrong on a sweltering New York summer day. As a police standoff drags on for 14 hours, the throng of onlookers begins to root for Sonny as a champion of the oppressed. While it sounds like this is one of those “based on a true story” flicks that plays fast and loose with the details for dramatic impact, it actually hews very closely to the actual events of the robbery.
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The Leopold & Loeb murder case was one of the most notorious crimes of the early 20th century. In 1924, two wealthy law students kidnapped and killed a 14 year old neighbor merely to prove their professed Nietzschean superiority. Their subsequent trial (during which it was revealed they were lovers) caused a media frenzy and the story inspired dozens of works of fiction. While Alfred Hitchcock
1959’s “Compulsion” (which changes the names of the actual parties while mostly sticking to the details) is concerned more with the trial, with Orson Welles playing the stand-in for actual defense attorney Clarence Darrow. The movie has an oddly anachronistic style, never quite evoking the time period, but is buoyed by some fine performances. More permissive times would allow 1992’s “Swoon
3) All the President’s Men
It had been not quite two years since Richard Nixon resigned as President of the United States in the wake of the Watergate scandal when the film version of the book by Carl Bernstein and Bob Woodward
2) Henry: Portrait of a Serial Killer
At least in films, it used to be easy to spot the bad guys: They wore black, sported furrowed brow and sinister moustache, perhaps scarred by some past altercation. But “Henry: Portrait of a Serial Killer” presented a new kind of terror: an otherwise normal guy who just liked to murder. Based on the confessions of Henry Lee Lucas, this brutally visceral film (directed by John McNaughton) has earned cult status over the years. Michael Rooker plays Henry alongside Tom Towles as his white trash killin’ partner Otis. The movie is made only slightly less disturbing by the revelation that the vast majority (but not all) of the hundreds of murders to which Lucas confessed never occurred.
1) In Cold Blood
Truman Capote’s groundbreaking 1965 book
Of course, the term, “True Crime Movie” is usually an oxymoron. Dramatic license or studio legal departments almost always force alterations of the facts. Arthur Penn’s “Bonnie and Clyde
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ORIGINALLY POSTED in REWIND on MTV.COM, January 2007
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